American Spectator | by James Bowman | Oct. 6, 2009
There is one scene in Michael Moore’s Capitalism: A Love Story where its writer, director, hero and sole credited actor is examining the copy of the Constitution that is on display in the National Archives. He asks a guard — this is the kind of thing Mr. Moore routinely does for effect, pretending he doesn’t know that the guards are not constitutional experts — where in the document before him there is any mention of free markets, free enterprise or capitalism. He can’t seem to find those words. Could it be that they’re not there? And, if they’re not, does that mean that they’re not constitutionally protected? Not, of course, that one could imagine its mattering to him if they were. But without a specific mention, presumably, we must suppose that these “evil” things — he has the testimony of two lefty priests and a bishop to that effect — must have been snuck into America’s constitutional arrangements at a later date by, well, capitalists — or other, equally unscrupulous sorts. [Read more…]